By Anna Chandler/ConnectSavannah
Savannah vocalist, songwriter, and band leader Danielle Hicks honors the music of legendary English jazz group Sade this weekend. With hits like “Smooth Operator,” “By Your Side,” “The Sweetest Taboo,” and “No Ordinary Love,” the music of vocalist Sade Adu is timeless, and Hicks will bring her own unique flavor to the familiar favorites.
Hicks is joined by her band, The Resistance, for this one-of-a-kind performance.
Friday, December 8, 8 p.m., $15, all-ages
Singer-songwriter returns to Savannah with new album
By Anna Chandler/ConnectSavannah
THE VOICE of Appalachia will resonate through Tybee Post Theater this weekend.
Singer-songwriter Malcolm Holcombe brings his timeless, Southern-steeped sound back to Savannah. The North Carolinian has spent his career capturing the character and cracks of his Blue Ridge Mountain home, spinning stories of callused hands, struggles, and seasoned experience with a warmly ragged voice and authentic, spellbinding poeticism.
Born in Asheville and raised in Weaverville, North Carolina, Holcombe played as a member of several regional bands as a young man, shifting into a solo career later on. Later, he teamed up to perform in a trio with Ray Sisk and released an album, Trademark, in Sam Milner.
The 1990s found Holcombe in Nashville; in 1996, after performing at countless open mic nights, he signed with Geffen Records. He released his debut record, A Hundred Lies, in 1999 through Hip-O Records.
Over the years, he has released 13 total solo albums, composed for Jonah Smith and Jonathan Edwards, and contributed to several compilations. Throughout his career, Holcombe has shared the stage with performers like Merle Haggard, Leon Russell, Cat Power, Richard Thompson, Wilco, Shelby Lynne, and more.
Currently, Holcombe is touring in support of his latest album, Pretty Little Troubles, released on April 7, 2017 through Gypsy Eyes Music.
Holcombe entrusted Darrell Scott, a friend of around 27 years, to produce the record. A prolific singer-songwriter and member of Robert Plant’s Band of Joy, Scott offered a keen eye and trusted intuition for the project.
“I just wanted some camaraderie with brains,” Holcombe says of the collaboration. “We’d just pick each other’s brains, hang out, sit and play some music, and have a good time. We’re friends. We work together when we can and try to exist on the planet like everybody else. We got together, Darrell brought the engineer, we did some pickin’, and we just tried to put some chords to these baby dolls.”
“We’re all songwriters,” he continues. “Everybody’s a songwriter. And we’re all storytellers, even the old cave paintings. That’s about what we’re doing these days–making up stories, trying to keep each other on the planet. Some of are trying to hep each other while the other ones are destroying each other. It’s a yin and yang thing, the good, the bad, and the ugly.”
Pretty Little Troubles unique, shadowy Americana is flush with banjo, violin, Celtic musings, and bluesy moments. A master storyteller, Holcombe creates a portrait of the hardships of his home over the album’s twelve tracks.
Holcombe wrote the contents of Pretty Little Troubles over the course of a few months.
“I would get up every morning, chain smoke, drink coffee, and go from there,” he says of his process. “I eat a couple eggs, try to get out of bed, open my eyes, and take it from there.”
He credits his wife with selecting the album’s centerpiece song as its title track.
“She’s a god title picker,” he attests. “I always bounce ideas off of her. It’s good to have someone you trust grease the frying pan a little bit, you know, trying to cook up an idea.”
Holcombe looks forward to returning to Savannah, where he’ll take the stage with Jason Bible of The Train Wrecks.
“I’m looking forward to it,” he says. “My wife’s coming with me — we love the area.”
By Jim Reed/SMN
Looking ahead to Sept. 7, the Tybee Post Theater (one of our area’s restored, single-screen historic cinemas) presents a one-show-only revival of the iconic romantic dramedy “The Graduate” starring Dustin Hoffman (“Outbreak”), Katharine Ross (“Butch Cassidy and the Sundance Kid”) and Anne Bancroft (“The Miracle Worker”). Directed by the late, great Mike Nichols (“The Birdcage”), co-written by Buck Henry (TV’s “Get Smart”) and featuring a best-selling soundtrack of Simon & Garfunkel tunes, this seminal 1960s motion picture about the unlikely love triangle formed by a young man, his girlfriend and her mother earned six Oscar nominations and influenced untold scores of coming-of-age pictures around the globe.
A legitimate masterpiece of awkward comedic timing and bittersweet subject matter, echoes of “The Graduate” can be plainly seen and felt in such disparate later works as Wes Anderson’s “Rushmore” and Larry David’s “Curb Your Enthusiasm.” If you don’t happen to live on the island, it’s well worth the drive to see this one in a theatrical setting. Plus, admission price for this 7 p.m. show includes a glass of wine (if you’re old enough) and a piece of chocolate. Beat that!
Johnny Mercer is expected to ‘return’ to Tybee Island for one evening only this month as the beloved musician’s spirit, stories and recollections come to life once more thanks to Tybee resident Jim Wann. The Broadway actor/writer/producer will host “Johnny Mercer on Tybee,” an evening of music, storytelling and images of Mercer, emphasizing his connections to Tybee Island and his fondness for “outdoor” songs.
The popular and successful songwriter, who was known to draw upon his Georgia heritage for inspiration and ideas, was born in Savannah but had well-established ties to Tybee. Legend has it that as a youth, Mercer could be found sneaking bootlegged liquor with his older brothers and cousins at Tybrisa, and attending dances on the beach.
The original show is set for 7:30 p.m. Friday, April 21, 2017 at the Tybee Post Theater, which just received a new roof after Hurricane Matthew badly damaged the historic structure only a year after its extensive renovations and grand reopening.
Featured singers in this special program include Savannah’s own Claire Frazier and Patti Kelly, with various approaches to Mercer classics. Tybee’s American Songbook keyboard ace Steven Bryan will lead the onstage ensemble, which includes Ryan Kelly on bass, Matt Fallin on drums, Larry Golden on sax, Bobby Hanson on harmonica, and Wann on guitar. In addition to the music and storytelling from sources who knew Mercer years ago, archival footage of Mercer on talk shows, variety shows and interviews will be shown.
Wann, who lives on Tybee for part of each year, is a renowned composer, lyricist and performer who supports and participates in a number of Savannah musical organizations, including the American Traditions Competition and the Savannah Philharmonic. He has served as a judge and board member for the ATC, and in 2015, the Philharmonic performed one of Wann’s songs, “Christmas in Savannah” at the annual Holiday Pops concert. In New York, Wann’s professional feats include composing and performing Broadway and off-Broadway hits, such as “Pump Boys and Dinettes”; “Diamond Studs: The Life of Jesse James, A Saloon Musical”; “The People Vs. Mona”; and “King Mackerel & The Blues are Running.” “Pump Boys” was nominated for a Tony Award for Best Musical, 1982, and has since played across the country and around the world.
A self-described Mercer fan for many years, Wann said he’s honored to present Georgia’s favorite son onstage, before many longtime Coastal Empire residents who personally knew and loved the famed songwriter. He’ll read excerpts from books by Mercer friends and historians Julius “Boo” Hornstein (“Sites and Sounds of Savannah Jazz”) and Polly Wylly Cooper (“Tybee Days”). Archival video of Mercer’s TV appearances will be shown, courtesy of Friends Of Johnny Mercer.
“I was very excited to be asked to develop a Mercer show by the Tybee Post Theatre and I think the audience will really appreciate the mix of Johnny Mercer tales, music, pictures and other memories we’ve put together to pay homage to one of the best songwriters of the 20th century,” Wann said. “It’s highly entertaining, thoughtful, lighthearted and personal. I’m eager to treat Mercer fans to this glimpse back to the time he spent on Tybee, and I hope those who love Mercer will tell all their huckleberry friends!”
Reserved seating tickets to “Johnny Mercer on Tybee” cost $20 for adults. Premium seats cost $25 for adults, and children’s tickets are $10 each. In addition, special $10 student tickets will be available to attract young audience members. For more information on the show or to purchase tickets, please visit https://tybeeposttheater.showare.com/.
By Jim Reed/SMN
Those of you who’ve been reading Film Scene for a while now are surely aware that the restored, historic Tybee Post Theater out on lovely Tybee Island has carved out a niche for itself by primarily programming one-night-only revivals of either classic or popular Hollywood pictures from decades past on its single screen, when its stage is not being used for live musical or comedy shows, that is.
That trend continues with the intimate, 200-capacity venue’s March 23 showing of the 1952 MGM musical “Singin’ in the Rain” (which was previously screened just a tad over a month ago at downtown’s Lucas Theatre). Stanley Donen (“Damn Yankees!” and “Seven Brides for Seven Brothers”) co-directed this beloved favorite with its magnetic star, Gene Kelly, and the film’s cast includes such luminaries as Donald O’Connor and the recently deceased Debbie Reynolds (Carrie Fisher’s mom, for those of you too young to know better). The script, while fictional, is closely based on the real-life confusion and upset that accompanied Tinseltown’s rough transition from silent films to those with synchronized sound (better known as “talkies,” till that term had run its course).
Packed with show-stopping, timeless musical and dance numbers, it’s been called the “Greatest Movie Musical of All Time” by the prestigious American Film Institute. Melissa Turner, executive director of the Post Theater, says she selected “Singin’ in the Rain” because it seemed like a “perfect follow-up” to the venue’s two-night engagement of the recent smash musical “La La Land,” which takes place on March 18-19.
You see, increasingly, the Post Theater is presenting special one- or two-day runs of contemporary motion pictures, such as that Oscar-winning Ryan Gosling/Emma Stone vehicle, or the similarly Oscar-winning drama “Fences” (starring Denzel Washington and Viola Davis), which plays the Post on March 16-17. According to Turner, there are a significant number of Tybee residents who simply aren’t interested in making the drive from the island to Southside Savannah to catch even the biggest motion picture hits of the year. These blink-and-you’ll-miss-them bookings allow those folks to catch the occasional high-profile blockbuster (such as the sci-fi flick “Arrival,” which the Post showed a few weeks back to a strong turnout) just a few minutes’ drive or even walk from their homes.
It also gives Savannah area viewers who either had not gotten around to seeing such films in their initial first run — or perhaps want to enjoy them on the big screen again — a chance to do so while supporting a small, nonprofit theater. The drive to the beach isn’t that awfully long, folks. Pick up on it.
By Anna Chandler/ConnectSavannah
NATIONAL sensation and hometown favorites The Fabulous Equinox Orchestra are getting back to their roots! Louisiana natives Jeremy Davis and Clay Johnson will lead their dynamic band in a tribute to their home state tradition this weekend.
The party kicks off with a VIP Mardi Gras gala complete with complimentary cocktails, Cajun hors d’oeuvres, naturally, king cake. Attendees are encouraged to arrive in Mardi Gras fashion—purple, green, gold, or parade-ready costumes are welcome.
After the gala, head into the Theater to hear the best of the Great American Songbook as performed by the tremendously talented, always-entertaining Orchestra.
Saturday, February 25, gala at 7 p.m., concert at 8 p.m., $50 for both, $25-30 concert only
By Jim Reed/SMN
On Feb. 23, the Tybee Post Theater presents a “Girls Night Out,” by showing controversial director Elia Kazan’s masterful 1951 silver screen adaptation of Tennessee Williams’ Pulitzer Prize-winning 1947 play “A Streetcar Named Desire.” Set in a rundown New Orleans tenement building, it focuses on the emotionally scarred former public school teacher Blanche DuBois and her relationships with family members and acquaintances after transplanting herself to the French Quarter.
The film is uncommonly close to its original stage production, owing to the fact that Kazan also directed the play on Broadway, and several key cast members (including Karl Malden, Kim Hunter and Marlon Brando) reprise their roles from that very same production. “Streetcar” resulted in Brando’s first Oscar nomination for Best Actor. In fact, the film set a record by becoming the very first motion picture to ever win an Academy Award in three distinct acting categories: Best Actor and Actress in a Supporting Role and Best Actress in a Leading Role.
A triumphant showcase for charismatic personalities, “A Streetcar Named Desire” is surely one of the most mesmerizing motion pictures of its era, and one that still resonates strongly today, more than six decades later. Showtime is 7 p.m., with $10 admission (includes a glass of wine and a package of tissues in case you are overcome with emotion).
Until next week, see you at the movies, be kind to those around you and don’t forget to turn off that cell phone.
From Broadway to the Beach! Broadway innovator Jim Wann, a part-time Tybee resident, will host a lively holiday concert to benefit the Tybee Post Theater, now in need of a new roof after Hurricane Matthew. Also performing will be popular standards and gospel singer Kim Polote, and Savannah’s “premier Soul and R & B Band,” Tradewinds, accompanied by Steven Bryan, formerly with Little Anthony And The Imperials, all bringing holiday songs, beach music, and dancing in the aisles!
Proceeds will go toward helping the theater, a one-of-a-kind local music and movie venue for Tybee, Savannah and the rest of the Coastal Empire. The 1930s theater reopened last year after a long community fundraising effort to restore the historic movie house into a performing arts and movie theater.
This special musical variety show will have two performances: Friday, Nov. 25 at 8 pm and Saturday, Nov. 26 at 4 pm. Tickets are available online at http://tybeeposttheater.org or by phone at 912-472-4790.
Jim Wann was lead composer and leading man of the Broadway hit “Pump Boys and Dinettes,” (Tony Nominee for Best Musical), the first Broadway show to put musicians on stage as major characters, now a popular style. Pump Boys remains a favorite in American theatres and has been performed all over the world. His collaboration with Bland Simpson and Don Dixon, “King Mackerel & The Blues are Running: Songs And Stories Of The Carolina Coast,” was presented as a fundraiser to help restore Tybee Post Theater in 2002 and 2006, on a stage outside the Lighthouse on Tybee’s North End, produced by his wife Patricia Miller.
“Patricia and I love the Tybee Post Theater, and have always supported its restoration,” says Wann. “Now’s the chance to continue, in a concert with some of my favorite Savannah artists, to celebrate Tybee, the holidays, and give thanks at Thanksgiving time, that we can make music in this wonderful venue. It’s all about neighbors coming together and celebrating our community, which the Tybee Post Theater embodies so well.”
Recently honored as the 2016 Artist of the Year by the Sonata Music Association, Polote is still the only native of Savannah to win the gold medal in the American Traditions Vocal Competition. From performing with Al Green, Harry Connick Jr, Charlie Daniels, singing for President Jimmy Carter at his church in Plains Georgia, to cooking and singing on the Food Network with her friend Paula Dean, our internationally renowned songstress inspires and unites through the gift of music and sometimes historical portrayals. In the documentary, Savannah and the Civil War, the character of Susie King Taylor is reenacted by Ms. Polote. The Saint Vincent’s Academy graduate recently released her latest Nashville recording entitled “Change”. Other recording projects include a CD saluting Johnny Mercer, “I Thought About You,” and also a Christmas CD “Seasons of Love”.
The Tradewinds Rhythm and Blues Band has been bringing its crisp verve and energy to parties, weddings, hotels and nightclubs in and around Savannah for over 20 years. Voted Savannah’s Best Band, this local institution of Soul, R&B and Motown hits also performs Jazz, Blues, Beach, Pop and Easy Listening favorites. Tradewinds band members have performed as sidemen with Rock and Roll and R&B legends including Little Richard, Sam the Sham, the Coasters, Dee Clark, Mitch Ryder and others. The four member core group can expand to seven for the maximum layered, powerful sound.
Keyboardist Steven Bryan has toured throughout the U.S. and Europe with national recording artists “The Coasters,” and with Little Anthony’s Imperials. A Savannah native and Tybee resident, Bryan has served as musical director/sideman for numerous jazz and rock groups nationally but is currently freelancing.
By Anna Chandler/ConnectSavannah
Since teaming up for The Accomplices’ unforgettable EP release show at the Georgia State Railroad Museum, The Accomplices and Folly Beach’s Dangermuffin have become regular collaborators and bill-sharers. Now they’re back, with a special performance at Tybee Post Theater.
For eight years, Dangermuffin has been a folk favorite, blending roots rock with Americana, jam, and Lowcountry easy-livin’ vibes. On their latest album, Songs for the Universe (2014), the band employed pitch shifts and frequencies that are considered to be harmonious with the human body. The band of vegans value a respect for our planet and its healing powers. Keller Williams fans won’t want to miss “Little Douglas,” a collaboration that features the guitar virtuoso on bass and backing vocals.
Saturday, September 10,
8 p.m., $20, all-ages
By Linda Sickler/SMN
It’s time for a trip down memory lane to the days when Elvis Presley was alive and swinging.
On Sept. 3, the Tybee Post Theater will stand in for a Las Vegas nightclub as Russ Lanier and his Dream Team Band present“Down at the End of Lonely Street,” a musical extravaganza with a full nine-piece band complete with horns and backup vocalists.
Lanier himself will portray a convincing Elvis, an act he’s perfected over time.
“In the past probably six years, we’ve done a big stage show called ‘Viva Las Vegas.’” Lanier says. “We have kind of tailored it down and called it ‘Down at the End of Lonely Street,’ a two-set show; one in black leather and one with the early concert Elvis from 1970 to 1971.”
No humorous Elvis parody played for laughs, this is a tribute to The King from one of his biggest fans.
“I wouldn’t wear a jumpsuit for a long time,” Lanier says. “I’ve always done the younger Elvis. I had long, curly hair and it was easy for me.”
A certified public accountant by day, Lanier knows all of the songs Elvis performed.
“There are about 52 to 55 songs that I want to do every show, which is too many,” he says. “The most I’ve done in one show is 35, although I usually do 27. There are always a few fans who ask why I didn’t do that one song they love most of all.”
With 12 band members, including five horns, as well as seven backup singers, there can be as many as 20 people on stage at one time.
“I’ve also used dancers in the past,” Lanier says. “It is a very Christian-based group.
“I’m a past worship leader at First United Methodist Church in Statesboro. One of the shows we’ve done in the past was all gospel music with a quartet.”
The one thing all Dream Team members share is a love for Elvis and performing his music.
“There was only one Elvis and we don’t try to out-Elvis Elvis,” Lanier says. “We take it very seriously.
“We do it the same way he did, whether it’s the live version or the concert version. We do it seriously and sincerely.”
While Lanier has done the big band show for about six 1/2 years, he has been entertaining audiences as Elvis for many years throughout the Southeast.
“I’ve done some shows with the Miss Georgia pageant circuit,” he says. “I’ve done local entertainment throughout the region.”
After raising funds, Lanier was able to bring the band together.
“We’ve traveled all over Southeast Georgia and gone up to Nashville,” he says. “We performed some showcases in Nashville.
“We kind of sit ready to go and could go somewhere every week and love it,” Lanier says. “We all have day jobs, so we do this part-time.”
In addition to performing, Lanier has written a children’s book, “The Caterpillar Cowboy.”
“I dedicated it to my wife and daughter,” he says. “It was published in 2012 and republished a year ago.
“It’s the first book in a three-part series. Finding time to follow through right now is more time than I can dedicate to it.
“I don’t bring records and T-shirts to concerts to sell,” Lanier says. “I bring my books to sell and will probably bring some to Tybee.”
Lanier has loved Elvis’ music his whole life.
“My siblings were much older than me,” he says. “I grew up in a house where Elvis was always on the record player.
“By this time, he was no longer the 1950s Elvis, he was the 1960s Elvis. He was already the jumpsuit Elvis.
“My mother loved Elvis,” Lanier says. “I started singing a lot in church and sang in high school and college. I learned to sing by putting my voice with Elvis and B.J. Thomas.”
By that time, Elvis was wildly popular.
“Every guy wanted to be Elvis and every girl wanted Elvis to be theirs,” Lanier says. “My most favorite song is ‘Heartbreak Hotel.’
“We are doing so many of his songs that I love in this current run. So many of his songs are so passionate.”
His Elvis shows often sell out.
“Probably the most surprised I’ve ever been was when we did a show in Millen four years ago,” Lanier says. “We had no idea how many people would show up.
“It was a 500-seat venue, and some of the older seats had no bottoms, yet every seat was filled.
“When we did the ‘American Trilogy’ at the end of the first set, people were crying,” he says. “They all stood up and it was probably one of most moving things I’ve seen.”
“Amazing Grace” also gets a big reaction.
“These are the songs that mean so much to people,” Lanier says. “If he was alive, Elvis would be 81 years old.
“It is 60-year-olds and 70-year-olds who are the first ones to buy seats on the front row,” he says. “But young kids love Elvis, too.”
Lanier is looking forward to playing the Tybee Post Theater.
“The stage there is beautiful,” he says. “It’s similar to the Emma Kelly stage in Statesboro.
“We won’t have quite the same number of performers as usual. We will cut back on the horns and singers, but it won’t diminish the show at all.”
Lanier’s only regret is that there aren’t enough hours in the day to perform.
“I wish I had more time and energy to devote to this,” he says. “Everybody wants to be Elvis.
“When you watch something and study it and study it and love it and love every little nuance of every song, you’re hooked. The band is phenomenal.
“They’re good enough, they can play with anyone,” Lanier says. “They’re probably better at what they do than what I’m doing.”
One of the reasons for the success of the group is because it’s different, Lanier says.
“Our group is the only group I’m aware of that has a ready-to-go 10- to 19-piece band at any time,” he says. “We could go to New York, Las Vegas or Atlanta next week.
“There is a stigma with Elvis-type acts because everybody does it. This is serious business for us.
“We’re professionals, but this is not what we do for a living,” Lanier says. “We’re willing and ready and I regret we don’t have the opportunity to go more places and do it.”
Lanier promises the Tybee show will be rocking.
“There will be black leather involved,” he says. “We’ll probably have some form of different attire for the second set.
“We try to be very respectful,” Lanier says. “I hope the audience responds and appreciates that.”
IF YOU GO
What: Russ Lanier and his Dream Team Band present “Down at the End of Lonely Street”
When: 8 p.m. Sept. 3
Where: Tybee Post Theater, 10 Van Horne Ave.
Cost: $25 or $22.50 for members
Info: www.tybeeposttheater.org, 912-472-4790